/ FRM-AT001 Hammer of Hathor ‘Corpse Pose’ /

FRM-AT001 : HAMMER OF HATHOR ‘Corpse Pose’
ALBUM C40 black chrome type II cassette

Released 15 may 2017

>>> LISTEN / BUY HERE
https://frmat.bandcamp.com/album/hammer-of-hathor-corpse-pose

f_rmat-batch-e1501608005773

Hammer of Hathor are Mark E. Kaylor and Heather Vergotis. The two sonic experimentalists have been involved in a number of obscure and abstract acts such as CexFucx, Thee Oregon Artificial Limb Co.

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REVIEWS

‘Veterans of instrumental psychedelia here toss up a sundry set of new works, rotating between sparse single-instrument meditations, cyclical atmospherics, and some profoundly groovable full-scale jammers. This is Hammer of Hathor at their best, weaving imperceptibly between cool La Monte Young meditations and sweltering Wattstax commotion’.

http://goatytapes.com/out-of-print/#!/tape/the-ineluctable-modality-of-the-visible/

‘Ritual movement and stillness take the place of psychic connection. Hammer of Hathor, the duo from Olympia, Washington, tackle as a concept “butoh,” a form of dance originating in post–World War II Japan that, if I’m reading my Wikipedia entry correctly, [adjusts glasses] “is known to resist fixity” and is “difficult to define.” It is performed in slow, deliberate movements and is meant often as an approximation of the absurd, tackling “taboo topics” and featuring “grotesque imagery” and “extreme or absurd environments.” But before I go any further and anger any good editor who realizes that Wikipedia is a terrible primary source, I have to remind you that all this is to simply whet your whistle for what our Hammerin’ musician pals have to offer. Whacking at various instruments, including detuned pianos and guitars, saxophones, and percussive instruments, HOH does their best to represent in sound a visualization of butoh in all of its mad glory, manipulating their odd array of sounds in fidgety slow-mo in a sort of (but intentional) call-and-response technique. The endgame? Madness. Or the beauty in decomposition as exemplified by low fidelity’. (Ryan Masteller)

http://www.tabsout.com/?p=15863